How I Use AI to Make Music: From Voice Memo to Studio Track

by Michael-Patrick Moroney

It always starts with a voice memo.

Sometimes it’s half a verse sung into the dark, a hook I’m scared I’ll forget, or a piano phrase played clumsily with one hand. It’s unfiltered and fragile, like most good ideas at first.

But what happens next - that’s where things have changed.

As a songwriter and music producer, I’ve spent years trying to capture emotion fast enough to keep up with inspiration. What artificial intelligence gives me isn’t a shortcut. It’s more like a new piece of studio gear - another instrument on the rack, always ready to go. It lets me hear ideas sooner, test arrangements quickly, and build demos that feel like records.

Let me show you how.

A rough phone recording - just vocal and guitar, or maybe piano.

This is the rawest form. Maybe it’s recorded in a kitchen or on a walk. It’s not a song yet. It’s just an idea with momentum.

In the past, this version would float around for days or weeks. If I had time - or a producer who believed in it - it might eventually turn into a real demo. But now, the feedback loop is shorter.

I feed that voice memo into an AI tool. I don’t ask it to rewrite or remix - I ask it to mirror. To recreate the basic structure but with higher fidelity: better guitar tones, clearer vocal, maybe just enough polish to make the bones visible.

A cleaned-up version with AI-generated vocal and instrumentation matching the original feel.

It’s like getting a session-quality demo of your first draft without leaving your room. A vocal you can actually listen to. Chords you can hear in full stereo.

At this point, I’ll sometimes swap the vocal - just to test how the emotional center shifts. A male vocal might sound world-weary. A female vocal might bring out vulnerability, or defiance.

Same melody and lyrics, but with a female vocal to explore different emotional tones.

This is something that would take hours in a studio with different singers. With AI, I can do it in minutes. It’s not about novelty - it’s about nuance. I’m still producing, just faster.

If the vocal hits, I bring it into my DAW - Logic, Pro Tools, whatever I’m using—and start building around it. This becomes the working demo. The guide vocal. The thing I’ll reference as I explore production paths.

A working demo vocal, AI-generated and brought back into the DAW for refinement.

From Songwriter to Music Producer (with Help)

This is where I shift from writer to producer.

Instead of calling up a band or scheduling a session, I craft a prompt - a clear, detailed request to the AI that functions like production notes. This is where genre, tone, and instrumentation come into play.

I might say:
“Alt-country, acoustic guitar, female vocal, brushed drums, pedal steel, tape-warm mix.”
Or:
“Minimalist piano ballad, cello, male vocal, slow tempo, no reverb.”

The better the prompt, the better the result. It’s like describing a sound to a session player - you get what you ask for, so you learn to ask well.

Here’s the song imagined as a country pop track. There’s a crisp rhythm section, smooth vocal takes, and polished mixing. The kind of version you’d test for licensing or pitching.

Uplifting, modern, radio-ready version

In some cases, I rewrite the lyrics to match a different point of view. Changing pronouns. Adjusting cadences to fit a faster rhythm. It’s a bit like rewriting a top-line for a remix - but now, the lead vocal and lyric pivot together.

Gender-flipped, AI-assisted lyric adaptation, modern pop remix(s).

It’s not about losing authorship. It’s about expanding the sonic world your song can live in.

Finally, I’ll ask for a stripped - back, unplugged take. This is my litmus test. If the song works in its simplest form, I know it’s real.

Just guitar raw vocal.

Sometimes, this is the version I fall in love with. Other times, it’s the starting point for a full arrangement. Either way, I’ve saved hours of studio time - and I’ve stayed closer to the creative process.

AI Isn’t Replacing the Studio - It Is the Studio

Using AI like this doesn’t replace collaboration. It doesn’t replace great players, vocalists, or mixers. What it does is let me hear more - more options, more angles, more possibilities - before I ever commit.

It’s like having a rack of synths, amps, vocal chains, and reference vocalists - all instantly available. Not to finalize, but to experiment.

what would a 60s Stax style version sound like?.

And through all of it, I’m still the one making the calls. I decide which vocal sits right. Which tempo lifts the chorus. Which version has the feeling I was chasing back in that voice memo.

I’m still the songwriter. But I’m also the music producer. One who can now audition full-band arrangements and alternate versions the way I used to audition kick drums or snare tones.

The tools have changed. The ears haven’t.